Sydney Sweeney, Novig and the Marketing Power of Controversy
Novig didn’t just launch an ad. It launched a controversy – and that might be the whole point.

On 9 September, sports prediction platform Novig rolled out a campaign starring actress Sydney Sweeney, who appears mostly undressed, covering herself with various sports equipment while repeating the tagline: “Novig is just sports”. However, Sweeney is not simply the face of the campaign. She is also a strategic partner and equity holder in the company, so her success and Novig’s are closely tied together.
The backlash arrived fast. Olympic swimmer Ariarne Titmus called the ad “a kick in the face” to every woman who has built a career in sport, while British sprinter Amy Hunt used a post-race interview to remind Sweeney what real athletic effort actually looks like: “muscles, hard work, sweat, blood, tears”. Olympic water polo medallist Tilly Kearns and dozens of other athletes said much the same.
From a digital marketing perspective, the campaign is a masterclass in the attention economy. Regardless of whether the public loved the ad or hated it, everyone was talking about Novig. By almost every marketing measure that matters, the campaign worked. Peak Metrics data reported that Novig’s social media mentions increased ninefold in the days after the launch. The interesting part is that only a small portion of the public conversation has been about Novig itself. Rather, it has remained on Sweeney, allowing Novig to use her massive reach while leaving her to carry much of the reputational cost.
Provocation still works as an attention strategy, particularly on platforms like Meta and X, whose algorithms reward engagement regardless of whether it is positive or negative. While the old saying that “any publicity is good publicity” may be an oversimplification, it is partially true, especially for a, until now, relatively unknown company like Novig trying to become relevant before the American football season starts. Whether this approach is marketing genius or simply a bet on outrage entirely depends on how you see it.
However, Novig has demonstrated one thing clearly: attention multiplies once the public drives the narrative, even when those reactions originate from critics. The real challenge for marketers is turning the short-term viral noise into lasting brand recognition, engagement and customer conversion.
Where do you stand on this approach? Is provoking public outrage a legitimate shortcut to securing digital market share, or does the potential reputational cost for the brand outweigh the immediate reach? Share your perspective in the comments below.
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(Disclaimer: This content is for the sole purpose of teaching and learning at Edith Cowan University).




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